Best Kick Drum Mic

Why it's best: The MD421-II continues on the success of the original MD-421, which has similarly carved out a stellar reputation in the recording industry. Although versatile, this mic is usually used to capture some of the slightly higher frequency kick drum sounds, and used to great effect in situations where a hard attack is desired. Featuring a a 5-position bass rolloff to help reduce the proximity effect, a wide frequency response range, as well as a glass composite housing and hardened steel basket, this mic is not only a great choice for kick drum recording, but tom and other drum set recording options as well. Great results can be had by positioning the MD421-II slightly inside the drum, which helps to accentuate the low end. Read Full Review

Why it's best: Although it's up against two of the biggest titans of the kick drum mic world, the ATM250DE stands out due to its incredible and innovative inclusion of two capsules: a cardioid condenser and a hypercardioid dynamic one. What this means for engineers is options, options, options! While the dynamic capsule can be used to capture punch and attack, the condenser element can simultaneously record the full audio spectrum, eliminating the need to run another mic and cable to the same kick drum. Positioned in a perfect phase relationship the setup for this mic is brainless, and with an integral 80 Hz HPF switch and 10 dB pad for the condenser element, this mic offers worry-free recording for both pros and amateurs. Positioned just outside the drum hole, the ATM250DE is a formidable competitor in this crowded marketplace. Read Full Review

Why it's best: Audix has come on strong of late and is winning converts from more established, successful companies like AKG and Sennheiser. Best positioned slightly inside the hole of the bass drum, the Audix D6 gets plaudits from users and reviewers for its usable sound out of the box. Those who use it universally love it with the fervor of religious zealots, the mark of a newer product making leaps and strides by the day. It features a 30 Hz-15 kHz frequency response, and an output impedance of 200 ohms.  In addition, it's able to handle sound pressure levels above 144 dB, largely due to its VLM (very low mass) diaphragm and sturdy construction. Read Full Review

Why it's best: Shure has been known as a workhorse of the mic industry for years, receiving tremendous market share among live musicians and sound professionals. The Beta 52A is known primarily for its durability, price, and solid sound. To be fair, there are die-hards who swear by this mic, and insist that any results less than stellar can always be traced to those unhappy users either misusing or just being plain ignorant of proper EQ settings during recording. Whatever the case, the Beta 52A remains a top choice for kick and low-frequency instruments that can be found in almost every studio's arsenal. Features include a frequency response shaped specifically for kicks and low instruments, a supercardioid pattern, and integration of a neodymium magnet for high signal-to-noise ratio output. Placement varies among engineers, with some advocating for inside-the-drum, while others prefer using it as a doubling mic outside the hole, or near the beater. Read Full Review